First off, use what Billy calls 'grunge tuning' (dropped D). Then take that Dropped D and tune it down a half step to a C#. In the last guitar world interview Billy said the whole album was tuned down a half step to get a deeper sound. After that, the song is quite easy.
Major distortion "Love is suicide...." --------------------------------------------------------------------- --------------------------------------------------------------------- --------------------------------------------------------------------- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333-- --3333333333/777777777777\22222222222/333333333--
I can't remember exactly where in the lyrics the changes are but once you listen to the song you'll know where they are & where changes #1 and #2 go. Be patient with my instructions, this is my first posting. Recommendation: use a light pick to get that continuous guitar attack. Cheers to everyone else who has posted tabs. Much appreciated. I'm waiting for help with the rest of the songs off this double album masterpiece. Especially 'To forgive' & 'Jellybelly'.
THIRTY-THREE
Tabbed by Peter Henderson(Saldek); Oshawa, Ontario, CANADA Special thanks to Rich Santos TUNING Half Step Down-Eb Ab Db Gb Bb Eb
Ok well..here's the tab....i think this is how they play it.... There is another guitar part for this..it has some effect on it.. But as you will see..i didn't tab it....Sorry
CHORDS: Eb Ab Db Gb Bb Eb C - x 3 2 0 1 0 Dm(no 3rd) - x 0 0 2 3 0 <--reffered to as Dm in the tab G - 3 x 0 0 3 3
V-downstoke ^-upstroke
FIGURE 1; FIGURE 2;
Eb--3--3--2--2--3--3--3-/-5-5-3--2--- Eb--3--3--2--2--3--3--5-5-5-/-7-5--- Bb--0--0--0--0--0--0--0---0-0-0--0--- Bb--0--0--0--0--0--0--0-0-0---0-0--- Gb--0--0--0--0--0--0--0---0-0-0--0--- Gb--0--0--0--0--0--0--0-0-0---0-0--- Db--0--0--0--0--0--0--0---0-0-0--0--- Db--0--0--0--0--0--0---------------- Ab--X-----------X-------------X------ Ab--x-----------X------------------- Eb--3-----------3-------------3------ Eb--3-----------3------------------- V V ^ ^ V V ^ ^ V V V V ^ ^ V V ^ ^ V V
FIGURE 3; Eb--3--3--2--2--3--3--5-5-5--3--2--- Bb--3--3--3--3--3--3--3-3-3--3--3--- Gb--0--0--0--0--0--0--0-0-0--0--0--- Db--X--x--------x------------X------ Ab--3--3--------3------------3------ Eb---------------------------------- V V ^ ^ V V ^ V ^ V ^
Intro; [FIG.1] [FIG.2] [FIG.1] [FIG.2]
[C] speak to me in a [Dm] language i can [FIG.1] hear [C] humour me [Dm] before i have to [FIG.1] go [C] deep in thought i [Dm] forgive every - [FIG.1] one as the [C] cluttered streets [Dm] greet me once [FIG.1] again i know i can't be [C] late,[Dm] [FIG.2] supper's waiting on the [C] table [Dm] [FIG.1] tomorrow's just an excuse away [C] [Dm] so i [FIG.2] pull my collar up and face the [C] cold, [Dm] on my own [FIG.1]
the [C] earth laughs [Dm] beneath my heavy [FIG.1] feet at the [C] blasphemy
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